Archive | Vocal music RSS feed for this section

Hidden Masterpieces: Choral Music Beyond the Mainstream – Ars Nova February 2018

A review by Betsy Schwarm Count on the Ars Nova Singers to delve into repertoire that is four centuries old and yet find offerings that are new and different – and delightful, as well. It turns out that beyond Italian masses and English madrigals, there is much to discover and enjoy. For the ensemble’s February […]

0 Comments Read more »

Mad Madrigals with Seicento Baroque – March 2018

Preview article by Betsy Schwarm Boulder-based Seicento Baroque specializes in choral music of the 16th century. Last fall, that focus was expressed in a 500th anniversary commemoration of the Reformation. This spring, the ensemble takes up the secular side of the equation: similarly intricate layers of voices, but significantly higher spirits. The program, to be […]

0 Comments Read more »

Strength in Numbers – Two Hebrew Chorales to Perform

A preview by By Marc Shulgold  For Leah Peer, breaking from the Colorado Hebrew Chorale in 2013 to form a subsidiary women’s chorus was hardly an act of defiance. Instead, it was, the director of Kol Nashim, says, an act that would strengthen the mixed chorus led by Carol Kozak Ward. “We’re all just following […]

0 Comments Read more »

Duruflé in Denver: Ars Nova and Friends

Review by Betsy Schwarm Over 32 years, the Boulder-based Ars Nova Singers have built a reputation as one of the finest a cappella choirs anywhere. Their concert October 6 in Denver had all the artistry one expects of the ensemble. This time, however, being ever inventive in his programming, music director Thomas Edward Morgan had […]

0 Comments Read more »

Celebrating Music of the Reformation: Seicento Baroque

A preview by Barbara Hamilton A 33-year old man emerged from the shadows, paper in hand. His hands shaking, he nailed the manuscript with 95 theses on the door of the Wittenberg church. Martin Luther’s revolutionary acts of insubordination and protest against the Catholic Church had just begun. All over the world, choral groups are […]

0 Comments Read more »

A New Season Built on Trust: St. Martin’s Chamber Choir

Like every director of every orchestra or chorus, Timothy Krueger begins sketching out the upcoming season with the equivalent of a blinking cursor on an empty computer screen.

0 Comments Read more »

Singing Out for SafeHouse

Preview by Betsy Schwarm Music has often set out to support and promote social causes.   Even before recent and current pop stars began undertaking such endeavors, Bedřich Smetana was speaking up for Czech nationalism, and it is no accident that Mozart’s The Marriage of Figaro explores the divide between aristocrats and those who serve them. So […]

0 Comments Read more »

Dancing Above, Singing Below: Ars Nova and Frequent Flyers at the Dairy

A review by Marc Shulgold  In their spoken introduction, Tom Morgan and Nancy Smith welcomed their audience to the Dairy Arts Center by cutely alternating words and phrases in explaining the collaboration of his Ars Nova Singers and her all-women Frequent Flyers aerial dance troupe. Most of what they actually said became lost in the […]

0 Comments Read more »

Early Musical Surprises from the New World

A preview by Marc Shulgold  Evanne Browne chuckled when faced with an unexpected challenge: Pronounce the name of a choral piece to be sung by her choral ensemble Seicento later this month. It’s titled Teponazcuicatl. “I’ve been practicing it,” the conductor said with a laugh. She had no problem translating the title of this charming […]

0 Comments Read more »

Krueger and St. Martin’s Choir: Thinking Big

A preview by Marc Shulgold What’s in a name? In the case of Timothy J. Krueger’s first name, apparently not much. The choral conductor chuckled as he pointed out that the origins of “Timothy” are related to “timid,” after the Latin word timere, meaning “to fear.” Well, there’s nothing timid about the season-opener of his […]

0 Comments Read more »